Results
As our three-year project progresses, this page will house all resulting publications and deliverables. Check back for the latest additions.
Adaptive Horizons: Navigating Museums in a Post-Pandemic World
A. Clay, G. Grieco, D. Lanfranconi, C. G. Fedon
Born Digital Art: Fleeting Masterpieces?
A. Clay
Hybrid XR collaborative and guided experiences in Cultural Heritage: Brancacci POV prototype
S. Pescarin, I. Cerato, E. D’Annibale, B. Fanini, D. Ferdani, R. Manganelli Del Fà, A. Marasco, M. Massidda, A. Palombini, D. Ronchi
The Scream (ca. 1910) through the Years: from Photographic Documentation to Spatio-Temporal Modelling
I. Ciortan, G. Trumpy, I. Sandu, H. Bjørngård
Large room scale augmented reality in an unaltered world heritage site
M. Olbrich, A. Zapf, C. Stiegemann, A. Pröbe
One-to-many Reconstruction of 3D Geometry of cultural Artifacts using a synthetically trained Generative Model
T. Pöllabauer, J. Kühn, J. Li, A. Kuijper
Portrait2Bust: DualStyleGAN-based Portrait Image Stylization Based on Bust Sculpture Images
S.N. Sinha, M. Weinmann
Prototyping Care: Two Case Studies
A. Clay, G. Trumpy, M. Weinmann, R. Wetzel
Using Spatial Augmented Reality to Increase Perceived Translucency of Real 3D Objects
G. Trumpy, D. Gigilashvili
PERCEIVE Design Cultural Probe Kit Tools
Pescarin, S., Veggi, M., Bonanno, V., & Spotti, S.
PERCEIVE Curiosity CPK
Pescarin S., Bonifazi F.
PERCEIVE Caring CPK
Pescarin S., Fiorenza G., & Veggi M.
Beyond Static Colors: An Interactive Participatory Design Perspective on Color-centric Experiences
D. S. Martinez Pandiani, S. Pescarin
FILM2PAINT: Transforming Photographic Documentation on Reversal Film into Paintings’ Accurate Colors
I. Ciortan, G. Trumpy
Understanding the darkening effect of cobalt blue paints: a multi-analytical study of early 20th century industrially produced Cobalt blue paints and their aging phenomena in paintings by Edvard Munch
Delving into the Darkening of Ultramarine Blue in E. Munch’s Paintings: a multi-analytical study of early 20th century commercial Ultramarine blue oil paints and their aging phenomena
Authenticity in Interactive Experience
S. Pescarin, G. Cittá, S. Spotti
D 1.1 – Operational plan, Progress Report and Evaluation Report
Lead Beneficiary: CNR
D 1.2 – Data Management Plan (DMP)
Lead Beneficiary: Fraunhofer
D 1.3 – Quality Assessment Plan, Risks and IPR management
Lead Beneficiary: NTNU
D 1.4 – Policy Briefing
Lead Beneficiary: CNR
D 2. 1 – PERCEIVE theory
Lead Beneficiary: CNR
D 2. 2 – Stakeholder Needs and Requirement Analysis
Lead Beneficiary: FORTH
D 2. 3 – PERCEIVE training program
Lead Beneficiary: NTNU
D 3.1 – PERCEIVE Dynamic Data Workflow
SubmittedS. Pescarin et al.
D 3.2 – Material appearance models
Lead Beneficiary: NTNU
D 3.3 – PERCEIVE acquisition protocols and data repository
Lead Beneficiary: NTNU
D 4.1 – IBR and training data
Lead Beneficiary: NTNU
D 4.2 – Framework for Neural Network and Training data
Lead Beneficiary: Fraunhofer
D 5.1 – PERCEIVE PLATFORM Specification
Lead Beneficiary: FORTH
D 5.2 – PERCEIVE PLATFORM
Lead Beneficiary: Anamnesia
D 6.1 – Design and implementation of PERCEIVE Prototypes
Lead Beneficiary: Anamnesia
D 6.2 – PERCEIVE Design ToolBox
Lead Beneficiary: CNR
D 7.1 – Evaluation Strategy
Lead Beneficiary: NTNU
D 7.2 – Assessment of Tools and Services and Prototypes
Lead Beneficiary: NTNU
D 8.1 – Communication and Dissemination Strategy and Plan
Lead Beneficiary: CNR
D 8.2 – PERCEIVE Innovation and Call Report
Lead Beneficiary: Anamnesia
D 8.3 – PERCEIVE Publication and Catalogue of Demonstrator
Lead Beneficiary: CNR