News
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Press Communicate: MuseIT & PERCEIVE: Two Innovative European Projects at SITEM!
March 25-26, 2025 in Paris – MuseIT and PERCEIVE, two European projects, will present their innovations in interactive technologies for the cultural sector at SITEM (International Museum, Tourism and Culture Exhibition) which will be held at the Carousel du Louvre in Paris. ABOUT MuseIT – STAND IM10 Represented by Actronika company and the Michael Culture
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Exhibiting the ‘Unexhibitable’: PERCEIVE and the Case for Digital Heritage
By Donata Magrini and Catlin Langford Special Session at Digital Heritage 2025 How can cultural organisations exhibit sensitive and fragile colour materials? Is it possible to reconstruct the colours of the past? What role can new digital technologies play? This special session will consider the idea of ‘exhibiting the unexhibitable’. Based on PERCEIVE’s work, the session chairs
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Scream Time Machine – a time travel experience at MUNCH
By Irina Sandu In January 2025 two groups from the staff of MUNCH lab (dedicated to new technologies and immersive experiences) and Communication & Market department of the Munch museum have tested the prototype (proof of concept) Scream Time Machine developed within Scenario 2 of Perceive project. The project leader of the MUNCH lab and
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A COVID-Safe Design Approach for the Open Space Museum (OSM)
By Arthur Clay Introduction In the grant writing for the PERCEIVE Project, a commitment was made to explore the possibilities of an alternative museum space that would remain accessible even when traditional museums had to close due to pandemic circumstances. This led to the development of the Open Space Museum (OSM)—a public, interactive, and mobile
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Drawings and engravings of the Temple of Isis
Daniele Ferdani, Cristiana Barandoni,Ivana Cerato and Sofia Pescarin The temple of Isis in Pompeii is an ancient sanctuary first excavated in the 18th century. It has long been the subject of intense interest due to the quality of its frescoes and polychrome statues and their state of conservation. The temple of Isis in Pompeii. As
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The Evolution of Public Space and Digital Art
John Craig Freeman and Arthur Clay This text emerged from a conversation between Arthur Clay and John Craig Freeman during a recent interview discussing the conservation of early augmented reality (AR) artworks. Freeman, who collaborated with Clay for years during the Digital Art Weeks and Virtuale festivals, founded and directed by Clay from 2005 to