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  • New publication: Colour in Heritage. Perception, Materiality and Digital Reinterpretation

    New publication: Colour in Heritage. Perception, Materiality and Digital Reinterpretation

    New publication: Colour in Heritage. Perception, Materiality and Digital Reinterpretation Editors: Sofia Pescarin, Cristiana Barandoni, Arthur Clay, George Papadopoulos, and Irina Crina Anca Sandu 📘 This open access book explores the challenges and opportunities of preserving, reconstructing, exhibiting, and communicating colour in cultural heritage through advanced digital technologies. 🌈 Published within the PERCEIVE Horizon Europe…

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  • Fragile Colours: Perceiving and Experiencing the Autochrome

    Fragile Colours: Perceiving and Experiencing the Autochrome

      📅 26 November 2025 – 11 October 2026 🎯 NTNU University Museum, Trondheim (Norway) 🎨 Curated by Catlin Langford In collaboration with the Victoria and Albert Museum (V&A), Colourlab at NTNU, Lucerne University of Applied Sciences and Arts (HSLU), Fraunhofer Institute for Computer Graphics Research (IGD), and the PERCEIVE project.   Exploring the fragile…

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  • PERCEIVE WEBINAR SERIES LAUNCH

    PERCEIVE WEBINAR SERIES LAUNCH

    PERCEIVE WEBINAR SERIES LAUNCH We’re excited to invite you to a captivating 10-episode webinar series (divided into two parts of five episodes each) exploring the fascinating world of ancient colours! The webinar, “PERCEIVE Theory and Data Acquisition and Use for Colour Change Simulation and Collection Management,” offers a unique opportunity to explore cutting-edge research in…

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  • Exhibiting the ‘Unexhibitable’: PERCEIVE and the Case for Digital Heritage

    Exhibiting the ‘Unexhibitable’: PERCEIVE and the Case for Digital Heritage

    By Donata Magrini and Catlin Langford   Special Session at Digital Heritage 2025 How can cultural organisations exhibit sensitive and fragile colour materials? Is it possible to reconstruct the colours of the past? What role can new digital technologies play? This special session will consider the idea of ‘exhibiting the unexhibitable’. Based on PERCEIVE’s work, the session chairs…

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