{"id":2590,"date":"2025-03-21T09:13:56","date_gmt":"2025-03-21T08:13:56","guid":{"rendered":"https:\/\/perceive-horizon.eu\/?p=2590"},"modified":"2025-08-22T11:58:48","modified_gmt":"2025-08-22T09:58:48","slug":"exhibiting-the-unexhibitable-perceive-and-the-case-for-digital-heritage","status":"publish","type":"post","link":"https:\/\/perceive-horizon.eu\/index.php\/2025\/03\/21\/exhibiting-the-unexhibitable-perceive-and-the-case-for-digital-heritage\/","title":{"rendered":"Exhibiting the \u2018Unexhibitable\u2019: PERCEIVE and the Case for Digital Heritage"},"content":{"rendered":"<style>\n    .text{<br \/>\n       font-family: 'Arial', sans-serif;<br \/>\n       line-height: 1.5;<br \/>\n       font-size: 20px;<br \/>\n       }<br \/>\n    .title {<br \/>\n       font-family: 'Arial', sans-serif;<br \/>\n       line-height: 1.5;<br \/>\n       font-size: 30px;<br \/>\n       font-weight: bold;<br \/>\n       }<br \/>\n<\/style>\n<p class=\"text\" style=\"font-size: 14px; text-indent: 0%;\">By <a href=\"https:\/\/www.linkedin.com\/in\/donata-magrini-00b33530\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1244\" src=\"http:\/\/perceive-horizon.eu\/wp-content\/uploads\/2024\/06\/linkedin.png\" alt=\"LinkedIn\" width=\"18\" height=\"18\" srcset=\"https:\/\/perceive-horizon.eu\/wp-content\/uploads\/2024\/06\/linkedin.png 512w, https:\/\/perceive-horizon.eu\/wp-content\/uploads\/2024\/06\/linkedin-300x300.png 300w, https:\/\/perceive-horizon.eu\/wp-content\/uploads\/2024\/06\/linkedin-150x150.png 150w\" sizes=\"auto, (max-width: 18px) 100vw, 18px\" \/><\/a>Donata Magrini and <a href=\"https:\/\/www.linkedin.com\/in\/catlin-langford-0566827a\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1244\" src=\"http:\/\/perceive-horizon.eu\/wp-content\/uploads\/2024\/06\/linkedin.png\" alt=\"LinkedIn\" width=\"18\" height=\"18\" srcset=\"https:\/\/perceive-horizon.eu\/wp-content\/uploads\/2024\/06\/linkedin.png 512w, https:\/\/perceive-horizon.eu\/wp-content\/uploads\/2024\/06\/linkedin-300x300.png 300w, https:\/\/perceive-horizon.eu\/wp-content\/uploads\/2024\/06\/linkedin-150x150.png 150w\" sizes=\"auto, (max-width: 18px) 100vw, 18px\" \/><\/a>Catlin Langford<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-3206\" src=\"http:\/\/perceive-horizon.eu\/wp-content\/uploads\/2025\/03\/digital-heritage-3-scaled.png\" alt=\"\" width=\"419\" height=\"524\" srcset=\"https:\/\/perceive-horizon.eu\/wp-content\/uploads\/2025\/03\/digital-heritage-3-scaled.png 2048w, https:\/\/perceive-horizon.eu\/wp-content\/uploads\/2025\/03\/digital-heritage-3-240x300.png 240w, https:\/\/perceive-horizon.eu\/wp-content\/uploads\/2025\/03\/digital-heritage-3-819x1024.png 819w, https:\/\/perceive-horizon.eu\/wp-content\/uploads\/2025\/03\/digital-heritage-3-120x150.png 120w, https:\/\/perceive-horizon.eu\/wp-content\/uploads\/2025\/03\/digital-heritage-3-768x960.png 768w, https:\/\/perceive-horizon.eu\/wp-content\/uploads\/2025\/03\/digital-heritage-3-1229x1536.png 1229w, https:\/\/perceive-horizon.eu\/wp-content\/uploads\/2025\/03\/digital-heritage-3-1638x2048.png 1638w\" sizes=\"auto, (max-width: 419px) 100vw, 419px\" \/><\/p>\n<p class=\"title\">Special Session at <a href=\"https:\/\/digitalheritage2025.unisi.it\/\">Digital Heritage 2025<\/a><\/p>\n<p class=\"text\" style=\"text-indent: 5%;\">How can cultural\u202forganisations exhibit sensitive and fragile colour materials? Is it possible to reconstruct the colours of the past? What role can new\u202fdigital\u202ftechnologies play? This special session will consider the idea of \u2018exhibiting the unexhibitable\u2019. Based on PERCEIVE\u2019s work, the session chairs invite researchers, academics, creatives and cultural workers to submit original work that could nurture discussion around the exhibition of cultural objects which no longer feature their original colours, or objects which cannot be exhibited because of their light sensitivity and tendency for colours to fade.<\/p>\n<p class=\"text\" style=\"text-indent: 5%;\">PERCEIVE (Perceptive Enhanced Realities of Coloured collEctions through AI and Virtual Experiences) works on new ways to perceive, preserve, curate, exhibit, understand and access fragile, coloured cultural\u202fheritage. Using 5 scenarios, we focus on \u2018care\u2019, \u2018accessibility\u2019 and \u2018authenticity\u2019, promoting and expanding access to cultural\u202fheritage\u202fand its wider integration in society. Research as part of PERCEIVE has focused on the latest innovations and possibilities of\u202fdigital\u202fheritage, working in conjunction with world-leading cultural organisations including Museo Archeologico Nazionale di Napoli, Munch Museum in Oslo and Victoria and Albert Museum in London. PERCEIVE offers a prime example of collaboration across organisations to achieve new ways of thinking and working in digital heritage.<\/p>\n<p class=\"title\">Theme and Topics<\/p>\n<p class=\"text\">We invite original research papers, case studies, and theoretical contributions on (but not limited to) the following topics:<\/p>\n<ul>\n<li class=\"text\">Case studies of exhibiting fragile coloured objects via emerging digital technologies.<\/li>\n<li class=\"text\">Case studies of using digital heritage and virtual technologies to explain missing, altered or fragile coloured cultural heritage and objects.<\/li>\n<li class=\"text\">Case studies of using digital heritage and virtual technologies to explain conservation issues related to fragile coloured cultural heritage and objects.<\/li>\n<li class=\"text\">Case studies of reconstructing missing or altered colour on heritage objects via digital technologies.<\/li>\n<li class=\"text\">Educational effectiveness of digital strategies to communicate conservation and heritage issues relating to fragile coloured objects.<\/li>\n<li class=\"text\">Creative design in exhibiting fragile coloured objects.<\/li>\n<li class=\"text\">Creative use of fragile coloured objects in artworks or other creative projects.<\/li>\n<li class=\"text\">Virtual museums.<\/li>\n<li class=\"text\">Modelling and mapping altered and missing colour on heritage objects.<\/li>\n<li class=\"text\">Visualising, experiencing and perceiving historic colour.<\/li>\n<li class=\"text\">Accessing and interacting with coloured cultural heritage and materials.<\/li>\n<li class=\"text\">Cultural and emotional significance of accessing historic coloured heritage and objects.<\/li>\n<\/ul>\n<p class=\"title\">Submission Guidelines<\/p>\n<p class=\"text\">Types of contributions:<\/p>\n<ul>\n<li class=\"text\">Full (10-pages including bibliography) for high standing scientific results and longer oral communication at the conference. Translates to 20-minute presentation with 10 minutes for questions.<\/li>\n<li class=\"text\">Short (4-pages including bibliography) for ongoing research and shorter oral communication at the conference. Translates to 10-minute presentation with 5 minutes for questions.<\/li>\n<\/ul>\n<p class=\"text\">Conference proceedings are published in <a href=\"https:\/\/www.eg.org\/wp\/\">Eurographics<\/a>.<\/p>\n<p class=\"text\">All papers will have a blind peer review by the International Programme Committee (IPC). All submissions will be reviewed for originality, significance, clarity, impact, and soundness.<\/p>\n<p class=\"text\">Author registration and contributions submissions are accepted SOLELY through the official conference platform OpenReview.<\/p>\n<p class=\"text\">The guidelines for the submission in OpenReview system and the template for contributions can be found at https:\/\/digitalheritage2025.unisi.it\/call-for-paper\/<\/p>\n<p class=\"title\">Important Dates<\/p>\n<p class=\"text\">Submission Deadline: 15.04.2025<br \/>\nNotification of Acceptance: 15.05.25 (Full Papers) \/ 15.06.25 (Short Papers)<br \/>\nEvent Date: 08 \u2013 12 September 2025<br \/>\nEvent Location: Siena (Italy), San Niccol\u00f2 Palace, Via Roma 56.<\/p>\n<p class=\"title\">Organising Committee<\/p>\n<p class=\"text\">Catlin Langford (PERCEIVE \u2013 V&amp;A)<\/p>\n<p class=\"text\">Donata Magrini (PERCEIVE CNR)<\/p>\n<p class=\"title\">Contact Information<\/p>\n<p class=\"text\">For inquiries, please contact the Special Session Program Chair:<br \/>\nDonata Magrini- donata.magrini@cnr.it<\/p>\n<p class=\"text\">More info can be found on the Digital Heritage 2025 conference website: https:\/\/digitalheritage2025.unisi.it\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Donata Magrini and Catlin Langford &nbsp; Special Session at Digital Heritage 2025 How can cultural\u202forganisations exhibit sensitive and fragile colour materials? Is it possible to reconstruct the colours of the past? What role can new\u202fdigital\u202ftechnologies play? This special session will consider the idea of \u2018exhibiting the unexhibitable\u2019. Based on PERCEIVE\u2019s work, the session chairs [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3206,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[6],"tags":[17,43,18],"class_list":["post-2590","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-cnr","tag-digital-heritage-2025","tag-vm"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Exhibiting the \u2018Unexhibitable\u2019: PERCEIVE and the Case for Digital Heritage - PERCEIVE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/perceive-horizon.eu\/index.php\/2025\/03\/21\/exhibiting-the-unexhibitable-perceive-and-the-case-for-digital-heritage\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Exhibiting the \u2018Unexhibitable\u2019: PERCEIVE and the Case for Digital Heritage - PERCEIVE\" \/>\n<meta property=\"og:description\" content=\"By Donata Magrini and Catlin Langford &nbsp; Special Session at Digital Heritage 2025 How can cultural\u202forganisations exhibit sensitive and fragile colour materials? 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Donata Magrini and Catlin Langford &nbsp; Special Session at Digital Heritage 2025 How can cultural\u202forganisations exhibit sensitive and fragile colour materials? 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